Model For Water and Power
TL;DR
Half-Day
$750
Up to 2 full scenes + up to 2 brief scenes · ~4 hours
Full Day
$1500
Up to 4 full scenes + up to 4 brief scenes · ~8 hours
Short Shoot
$375
Per shoot · up to 2 hours
You can do this anonymously.
Wear a hood or mask and use a stage name. Your face doesn't have to appear for almost anything we shoot, and it doesn't change your pay. See Identity.
We shoot all over the US, and occasionally in Europe.
You're applying to come shoot for a commercial production with a crew, and shoots may include other models or actors who you may be expected to interact with. We cast cisgender AFAB, femme-presenting performers, for the reasons set out under Who we're casting right now. Casting is otherwise on a case-by-case basis and leans toward slim and athletic builds, but the best way to know is to apply with current photos.
You really should read the information below, but if you can't be bothered and just want to get going, please fill in the application. We'll talk through all the levels and safety stuff long before we start shooting.
Apply to ShootWho we're casting right now
A couple of practical filters before you spend time on this:
- This round is casting performers aged 20 and over. You’ll give your date of birth as part of the application.
- This production cycle is casting cisgender AFAB (Assigned Female At Birth) performers only. The shoots involve full nudity and explicit focus on genitals, so “AFAB” here specifically means natal female anatomy. This isn’t a statement about who counts as a woman; it’s a description of what shows up on camera. Trans women are doing extraordinary work in this industry. This isn’t that production.
- Within that, we’re casting specifically femme-presenting. A useful test: if a stranger glanced at a candid photo of you and wouldn’t immediately read “woman” before any other detail, this casting isn’t the right fit. (We’ve had thoughtful applicants whose everyday gender expression isn’t femme write asking if they could switch up for a single shoot. We appreciate the interest, but the camera reads what’s habitual, and trying to override that for a day generally doesn’t land.)
- We work within a narrow visual range, and on camera that tends to mean a build proportionate to height. If yours is significantly outside that, the application probably won’t move forward, and it’s better to know now.
Body diversity and gender diversity matter; they’re just not the casting brief for what we’re shooting now.
What and how we pay
Half-Day
$750
Up to 2 full scenes + up to 2 brief scenes · ~4 hours
Full Day
$1500
Up to 4 full scenes + up to 4 brief scenes · ~8 hours
Short Shoot
$375
Per shoot · up to 2 hours
A shooting day has two scene types. Full scenes run about an hour each. You'll typically do half as many full scenes as the day length in hours: 2 in a half-day, 4 in a full day. Brief scenes run 15–20 minutes and get slotted in ad-hoc around the full ones, again with up to 2 in a half-day and 4 in a full day.
Scene counts are caps, not targets. There are no per-scene add-ons.
The Short Shoot rate covers a single booking up to 2 hours. Bookings beyond that use the Half-Day rate — Short Shoots don't extend or stack.
When we pay
Payment is handed over (or initiated, for bank/app transfers) at the start of the exit interview, before any feedback is given. This way you can say whatever you want about the shoot without worrying it affects your pay.
If the day ends early
The booked rate assumes the scene cap or booked duration will be met. If the day ends early:
- You receive the full booked rate if the day runs to the scene cap or booked duration, or if we wrap by mutual agreement at a natural stopping point.
- You receive the full booked rate if we end the shoot for reasons outside your control (crew, equipment, weather, venue, or our judgment).
- You receive pro-rated pay at $187.50/hr, rounded to the nearest hour, for the time worked up to that point if you choose to end the day early.
Using a safeword is never itself a reason to pro-rate. If a safeword leads to a pause and the shoot then resumes and runs its booked time, the full rate applies. Pro-rating only engages when you decide not to continue the booked day.
The travel stipend or reimbursement is honored in full regardless of how the day ends, since travel costs don't pro-rate.
If we cancel
If we cancel a booked shoot with less than 48 hours' notice, you receive one hour's pay ($187.50). Any travel you have already paid for is reimbursed in full up to the amount agreed at booking.
Travel & Expenses
Travel and expenses are handled by prior arrangement so everyone knows what to expect up front.
- For regional travel (driving or train), we offer a flat travel stipend of $150.
- For longer domestic travel that requires a flight or a full travel day, we reimburse reasonable travel expenses up to $600, depending on distance and time.
- Other reasonable shoot-related expenses are reimbursed by prior arrangement, with the cap agreed before booking.
Any stipend or reimbursement cap is agreed on before booking so everyone knows the limit up front. Costs beyond the agreed amount are the model's responsibility.
Where we shoot
We shoot all over the US, and occasionally in Europe.
Shoot Details
All About Enemas
Belly Inflations ARE enemas. If you agree to a belly inflation, you are agreeing to receive an enema.
This is NOT a scat site. We do NOT show excrement.
Enemas will make you need to use the toilet and make your belly swell temporarily. To shoot with us, you must be willing to share these discomforts with our audience.
Clear expulsions are popular with our subscribers. Unless you ask us not to film it, expulsion is filmed whenever the release is clear or partially clear.
If you're anxious about cleanliness, fasting for 8–10 hours beforehand helps. Pre-cleaning doesn't work well. Eat something 1–2 hours before the shoot to keep your blood sugar stable. We're experienced at this and won't release anything that embarrasses you.
No sex is involved, but you must be comfortable with anal play (fingers and toys). Vaginal play (vibrators) is common but not required.
The enema itself is similar to what you'd receive at a natural therapy centre for a colon cleanse. The difference is the BDSM context — the intensity, the power exchange, and the challenge of holding while we work within your pre-agreed limits and levels.
Depending on your willingness, we may also incorporate various BDSM activities — like restraint, gags, blindfolds and so on — into the shoot. None of these are mandatory, and it is entirely up to you whether or not they are included.
Unless you ask us not to film it, expulsion is filmed whenever the release is clear or partially clear. Any scat occurring during a release is cut or digitally removed in post — we do not show excrement. If a release is particularly dirty, we end the scene early so you can get to the bathroom.
Safety and Consent
What Happens in a Shoot
A typical shoot involves you taking a medium-to-high volume enema with some element of BDSM. "Medium to high volume" is a VERY relative term depending on the model/day/energy/mindset and may range from as little as 1800 ml to upwards of 6000 ml. Most people tap out a bit above 2000 ml the first time.
Even if you're a very experienced BDSM practitioner, the BDSM aspect of a first shoot will normally be limited to hooding (also used for anonymity) and some light restraint.
Consent and Safewords
We shoot challenging BDSM content on a number of different themes. This isn't for everyone. All of our scenes are executed with informed consent and we'll ask you to tell us your levels several times in several formats before we start any cameras. We'll give you a common safeword and ask you, on camera, to confirm that you remember it, are willing to say it, and can actually say it if things become too intense. We'll stop the scene if you use your safeword. We'll also stop the scene if you say "stop" clearly.
We may also check in with you from time to time if you are quiet in scene. You should not rely on this, however. If you want or need to stop, then say so.
We treat crying as if the safeword "yellow" has been used. The scene will pause and we will take stock of where we are. We will not resume the scene until everyone is happy and has agreed to do so.
Previous Experience
We're happy to work with people who don't have fetish experience. However, you really have to have some desire to experience challenging fetish play to work with us. If you've never had fantasies of struggling in bondage, being spanked hard, being humiliated in public or the like then you aren't going to enjoy the experience and you shouldn't apply.
If you have done fetish play before then we'll be able to do more challenging things with you. If you've never done fetish play before then we'll take things slowly and see how you respond.
We're also happy to work with people who have never done enemas before. We'll start slowly and see how you respond.
Health
We ask about your mental and physical health before we start.
It is particularly important that you tell us about anything you've been diagnosed with. We also need to know when you received your diagnosis. Please don't take it personally if we decline to shoot with you because you've had a recent diagnosis. Our experience is that people need time to adapt to treatment and develop a level of stability and understanding of their condition before they experience a high-intensity fetish play environment. If you have had a recent diagnosis, but want to work with us, leave it at least six months before you apply.
Safety On The Day
If you are new to this type of play, and new to us, then we recommend you arrange to have a check-in call with a friend you trust midway through the shoot. You should share your location with them on one of the apps that can track you and arrange to have them call the police if you give a pre-arranged safety signal or if you miss your check-in call by more than an hour or so. You'll have an opportunity to call them during the breaks. While we will make you hurt during a shoot, we aren't going to harm you. A trusted remote check-in is a useful safety layer whether or not you also bring someone on set.
Support Persons and Chaperones
A support person or chaperone is welcome on set by prior arrangement. Two expectations apply during the shoot:
- Urgent concerns about safety, consent, or welfare should be raised immediately. These are treated the same as a stop signal from you.
- Non-urgent matters (questions, suggestions, or general feedback) are held until we're not actively filming (between setups, during breaks, or at wrap), unless the director invites comment during a scene.
A support person who interrupts active filming with non-urgent matters will be escorted off set to a waiting area and will not be allowed to return. This keeps the set focused during filming while making sure nothing important goes unspoken.
If your partner or another concerned person would prefer not to be on set during the shoot but still wants context, we're happy to meet them before the shoot. We'll answer their questions, they can see the studio, and they can go wait for you nearby.
Family, Friends, and Partners
If you are going to receive aftercare post-shoot from family, friends or a partner, it is important that you contextualise the work for them before you come to shoot. This is true even if they have BDSM experience. We have limited time together and are not able to give you close aftercare after you have left the studio. A partner that is not expecting your drop may struggle to properly understand what needs to be done. This can result in hard feelings.
Confirmation
We will ask you to tell us your levels via web form when you first apply. We'll ask you again when we confirm just before the shoot and we'll ask you in a video interview right before we start shooting. You can change your levels at any time before or during the shoot, but you can't change them after the shoot has finished.
Feedback
We'll conduct a video exit interview where you can give us feedback. We'll pay you at the start of this so you can speak freely about anything you didn't like. We encourage you to give us your full and honest feedback. Of course we'd like to hear what you liked as well, but we want to be sure that you leave knowing that you've been able to talk about any aspect of the shoot that you'd like to, good or bad. We always welcome constructive feedback at any time. Get in touch at any time after you've shot and let us know your thoughts.
Multiple Models
We no longer shoot with more than one model per shoot unless we've shot with all booked models at least twice before and all models are in every shoot.
Identity
Models frequently want to use different stage names on our site. If this is something you would like to do, please make sure you tell us when you first apply and use that name when we conduct your video interview. We'll also ask you when we first start shooting.
You can wear a mask or a hood for most things we shoot if you do not want to show your face. Just ask as we have several options. This does not affect the rate of pay.
Mental and Emotional Play
Genuine mental and emotional play are absolutely necessary for a successful shoot.
In our experience, most models lack the necessary acting/stage training and experience to manifest these connections in scene in a convincing way if they are not otherwise engaged with the shoot.
If you are not able to actually engage with the experience for the duration of a shoot, then we are probably not for you.
Mistakes
We're human and we make mistakes. So do you.
Like everyone, we try to minimise these, but they still happen. Please be mindful of this when we're shooting. The gaffer didn't drop that battery on you on purpose any more than you kicked the cameraperson in the face on purpose. If you have any doubts or concerns, use your safeword and we'll stop, give you space to think and ask questions, and only resume when you're ready.
Examples
Here are some examples of what we produce. Click through to preview.
How to apply
If you match who we're casting right now and would be interested in modelling for water-and-power.com, please fill out the application.
Apply to ShootWant to top rather than receive? We are casting a recurring House Dom(me) as well.